Enter the Thirteenth Doctor

This past Sunday, October 7, the 13th Doctor debuted in the 11th season of the Doctor Who revival series. In order to catch it, I signed up for a 7-day free trial of Sling TV to get access to BBC America. Though the episode of Doctor Who was good, it’s presentation on BBC America was not. BBC America took what was basically an hour episode and stretched it out to two hours chock-full of commercials and a silly fake viewing party. What made it particularly grievous was their axing of the show’s end credits.

I never doubted Jodie Whitaker would be the Doctor, but I was concerned about the new companions, especially three of them. Yes, the First Doctor started out with three companions, but he was old. Fortunately, this new group was great. It helped that they already knew each other in some way, so that means with this season we should hopefully be spared a bunch of getting to know you stories. Yes, as a Midwest American I struggled with the accents, but that’s what subtitles are for.

She’s the Doctor.

Tim Shaw with his trophy-toothed face I found quite disturbing, but I liked the tentacle thing that preceded him on the train. It was basically a swarm of cables used to gather information, and I quite like the concept and hope we see more of this semi-species throughout the new series.

Enter the cable monster.

I thought it was pretty cool the Doctor actually built her sonic screwdriver this time around, and for me that solidified this series as a different era of Doctor Who. The fact that the TARDIS itself is missing adds to that feeling as well, more so than who actually is playing the Doctor in this regeneration. For storytelling, I’m with Missy: “They’re all the Doctor to me.” Representation does, however, matter, and I’m hoping this new era with this new cast is a welcoming starting point for new fans. For me, that’s what the Doctor’s new rainbow outfit is meant to represent.

Everyone is welcome to join the Doctor on her adventures.

Now, I’m more of the binge watching type, and I canceled my subscription to Sling TV because I’m not going to pay to watch loads of commercials on BBC America. I’m unsure how and when I’m going to watch this new season of Doctor Who. Chances are I’ll buy the season on Amazon and watch each episode there as they become available as I’m slowly growing to the idea of building a digital library, but we’ll see.

The Web Planet

Just when I thought nothing more could possibly wow me, I sit down and watch the Doctor Who serial “The Web Planet” on Twitch.

The visual effects of the serial are so dated, but that’s part of what makes it so charming. It’s a black and white trip to the planet Vortis, where the moth-bee Menoptra prepare to reclaim the planet from the Zarbi, giant ants mind-controlled by the Animus, a web-spewing, tentacled spider monster. We also meet the Optera, de-evolved descendants of the Menoptra left behind when those fluttering giant flies fled the planet. Holy shit, what is this? It’s an epic tale of good vs evil with space bugs!

What the shit is this even? It’s Vaseline-smeared brilliance.
The Doctor and Vicki have been webbed! Gross!
Vicki tells the Animus off. She’s my new favorite classic companion.
Give me back my ring, bugman.

When “The Web Planet” started streaming on Twitch, I wasn’t much paying attention. I was like: “Weird bugs. This is gonna suck.” Consequently, I was doing some reading, getting some work done with it playing in the background. But then, like the TARDIS to Vortis, it pulled me in. The serial is a bizarre spectacle, and I hadn’t realized how incomplete my life was having never seen it.

Classic Doctor Who episodes are streaming on Twitch until July 23rd so be sure to tune in!

We Are The Same

“Dalek,” the sixth episode of the new Doctor Who series, is the first 9th Doctor episode I really took to. This has a lot to do with it featuring such a classic antagonist as the Dalek. Their tank design and robotic voices really grew on me while watching the adventures of the 11th and 12th Doctors, and I enjoyed seeing all the swiveling of the head and torso and hearing all the variances in the Dalek’s voice as it struggled with emotion. The regeneration scene, the opening and closing of the armor, and the destruction scene were all just bonuses for an episode which really showcased the Dalek design.

All the scenes with the Doctor and the Dalek and Rose and the Dalek are great, as they deal with questions of ethics and individual purpose. This episode is one of those stories I am a sucker for: where evil shows it is capable of good, and good shows it is capable of evil. Furthermore, it’s a great companion episode in that Rose plays the conscience, guiding not only the Doctor but the Dalek as well.